Continuing on with bracing the back.
Here are the brace components ready to go. This probably looks familiar. Again, note an uncooked piece for comparison.
I am finding the thermally modified wood very easy to work with...it cuts and sands easier than unmodified.
Again, the first layer is comprised of 1/8" thick strips. I laid out my regular 6" square, but am gluing inside the lines for this smaller body
First layer done
Next, I glue in the center layer of pre-shaped parts, starting with the little X's. I use the small clamps to keep the layers lined up
Center layer done
Then I just need to glue on 2 more 1/8" layers
Done
And a low angle view
Next, I plane the tops to height
The final step is to carve the brace sides to a nice taper. Here is the first leg done
And all of them
A low angle view
Everything sanded, center back strip glued in (offcut from back plates), and brace ends carved
Now I just need to final shape the back linings by sanding on my dish mold and carve the brace pockets
Done
The back ready to glue
Box all closed, view from the top
And the back
More in the morning and I will add some comments about working with the thermally modified wood. Thanks for looking.
G
Documenting my 1st thermally modified build, videos added, SOLD
- whitespruce
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Re: Documenting my first total thermally modified build
It's striking how humble looking the outside is and how dazzling the interior with those 2 cool bracing patterns.
Awesome work, Grant.
D
Awesome work, Grant.
D
Dennis Leahy
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Re: Documenting my first total thermally modified build
Thanks for the comment. That will change a bit with the binding. There will be a bark purfling line around the top. That, and a figured ebony fingerboard and peghead should dress it up a bit.Dennis Leahy wrote:It's striking how humble looking the outside is and how dazzling the interior with those 2 cool bracing patterns.
Awesome work, Grant.
D
G
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Re: Documenting my first total thermally modified build
Oh, I have no doubt whatsoever that the guitar exterior will be handsome/beautiful - it just doesn't hint at what's going on inside the box.whitespruce wrote:Thanks for the comment. That will change a bit with the binding. There will be a bark purfling line around the top. That, and a figured ebony fingerboard and peghead should dress it up a bit.Dennis Leahy wrote:It's striking how humble looking the outside is and how dazzling the interior with those 2 cool bracing patterns.
Awesome work, Grant.
D
G
Dennis Leahy
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Re: Documenting my first total thermally modified build
Maybe I need to put some "viewing ports" in the sidesDennis Leahy wrote:Oh, I have no doubt whatsoever that the guitar exterior will be handsome/beautiful - it just doesn't hint at what's going on inside the box.whitespruce wrote:Thanks for the comment. That will change a bit with the binding. There will be a bark purfling line around the top. That, and a figured ebony fingerboard and peghead should dress it up a bit.Dennis Leahy wrote:It's striking how humble looking the outside is and how dazzling the interior with those 2 cool bracing patterns.
Awesome work, Grant.
D
G
G
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Re: Documenting my first total thermally modified build
One more post to bring this p to date.
Moving on to the neck, here is what I am picking from for the fingerboard and peghead overlay
The peghead overlays are from a bunch of bookmatched figured ebony
And here is the final fingerboard with fret slots cut
and a bunch of phosphor bronze fret blanks cut
The fingerboard and glued up peghead overlay
Fingerboard ready to glue
Being glued on
Brass brads used for locating pins
Peghead is rough trimmed to shape and tuner holes drilled. My template for routing the inlay cavity is positioned and ready
I use a couple of dowels in the upper tuner holes to locate the template
Inlay routed and the tool I use
Nothing fancy, the rotary tool is just a friction fit in the base. I have been using this simple device for years
With the template removed
Stay tuned for more. I have selected koa bindings and end graft.
G
Moving on to the neck, here is what I am picking from for the fingerboard and peghead overlay
The peghead overlays are from a bunch of bookmatched figured ebony
And here is the final fingerboard with fret slots cut
and a bunch of phosphor bronze fret blanks cut
The fingerboard and glued up peghead overlay
Fingerboard ready to glue
Being glued on
Brass brads used for locating pins
Peghead is rough trimmed to shape and tuner holes drilled. My template for routing the inlay cavity is positioned and ready
I use a couple of dowels in the upper tuner holes to locate the template
Inlay routed and the tool I use
Nothing fancy, the rotary tool is just a friction fit in the base. I have been using this simple device for years
With the template removed
Stay tuned for more. I have selected koa bindings and end graft.
G
Re: Documenting my first total thermally modified build
Grant,
I like it all. Nice to see your selection process and the headplate overlay looks like flames! Nice!
Jim
I like it all. Nice to see your selection process and the headplate overlay looks like flames! Nice!
Jim
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Re: Documenting my first total thermally modified build
I really like the fret board head stock veneer combination. I also really like the idea of indexing the logo template to the peg holes and using a small template follower, a simple solution that I would have never thought of after many guitars.